Exploring each of Molière’s 33 plays (including the divertissements) for its theatrical possibilities, Bermel deals with dramatic structures, settings, roles and their interactions, original productions, and outstanding recent stage performances in France, Britain, and the United States. His emphasis is theatrical rather than literary, philosophical, or biographical, although he necessarily brings these considerations to bear when discussing certain plays. Bermel introduces a new methodology, one featuring the type of scrutiny directors, actors, and designers apply to any play before and during rehearsal. Thus he studies the dramatic implications of each scene or part of a scene by noting which characters are present, which ones are absent, and why. He analyzes each role, explores interactions among characters, traces the significance of structure, considers how much information is provided and who provides it, and examines such notable background factors as setting, season, and scenic arrangement. Using this methodology, Bermel provides new interpretations of Molière’s most celebrated plays and demonstrates that many of the less famous plays also deserve attention. Previous Molière critics have been conservative, especially in that they favor traditional stagings; Bermel, however, encourages new explorations of the plays. His main intention is to keep Molière alive and vital for present and future readers and audiences. Nowhere is this more apparent than in his attention to, and sympathy for, female characters and their points of view.
This collection of hilarious plays from the 15th - 20th centuries is brimming with all the venerable ingredients of French farce. Distinguished drama scholar Bermel has gathered some of the best in the genre, and the merriment, ribaldry, and wit of the works dance through his translations brilliantly.
This volume of Moliere's dramatic commentaries on society presents The Miser, a misguided hero who obsessively disrupts the lives of those around him. The School for Wives is newly translated for this edition and was fiercely denounced as impious and vulgar. Moliere's response to his detractors became The School for Wives Criticized. Even more alarming to critics was his version of Don Juan. In The Hypochondriac, he produced an outrageous expose of medicine.