'WE'RE NOT JUST HERE TO TAKE PART - WE'RE HERE TO TAKE OVER' Conor McGregor is the biggest star in the fight game. The Dubliner has achieved more in three years with the Ultimate Fighting Championship than anyone in the twenty year history of the organization. From an unknown prospect in 2013 to the first man to hold two world titles simultaneously, McGregor's knockout-filled march through the featherweight and then lightweight rankings sent shockwaves through the world. But as effortless as McGregor's heroics have seemed, his journey was far from smooth and his destiny anything but certain. Just another teenager trading martial arts techniques with his friends in a shed, the seemingly delusional boy packed in his plumbing gig - to the massive anxiety of his parents - to chase a pipe dream with little promise of reward. No one could have guessed he would go on to become the biggest pay-per-view attraction in the world. As a technician and tactician inside the cage, McGregor was something special. Outside of the cage McGregor could draw thousands of screaming fans to press events with his wit and presence. And away from the cameras, McGregor's life was built around a love of treating his friends and a loyalty to his teammates and his hometown. This is not another tale about an athlete who was born exceptional and groomed for success. It is about how one young man, through bloody-minded determination and indomitable spirit, came to change the whole game. From Crumlin to Las Vegas and from the cage to the cars, Notorious: The Life and Fights of Conor McGregor explores not just how the fight game changed Conor McGregor, but how Conor McGregor revolutionized the fight game.
… People say to me be careful of the money, don’t blow it. If the money becomes a problem, I’ll get rid of it. I’ve been planning to get to this stage for a long, long time and I won’t let anything stop me. Honestly.’ The year is 2013, and Ewan MacKenna is sitting in McDonald’s with Conor McGregor as he enjoys his weekly coffee, a treat in the eyes of a dedicated fighter. The Crumlin born mixed martial arts fighter has not yet cashed his €60,000 prize money after his maiden UFC victory over Marcus Brimage, a first-round stoppage, but he knows the importance of it – only recently has he found himself in the social welfare queue. Five years on and McGregor is late for his press conference with Khabib Nurmagomedov ahead of their showdown at UFC 229. By the time he arrives his opponent has gone, but it doesn’t stop him from launching into a diatribe against him before reverting to a sales pitch for his own whiskey, ‘Proper No. 12.’ Somewhere along the line, the fighter became a stranger to his art, increasingly drawn to the circus that surrounds him. But what is McGregor? A wonderful rags-to-riches tale? Dedicated athlete? Cultural phenomenon? Troubled soul? Out-of-control kid? Confused young man? Narcissist? Arrogant thug? Sporting icon? McGregor is any and all but, crucially, more than most sporting stars, he is also a mirror of society. In Chaos is a Friend of Mine, MacKenna takes in both Las Vegas in 2018 and Dublin in 2019 in order to examine McGregor’s journey, from his upbringing in the Irish capital, to his early days as a wide-eyed, prodigiously talented martial arts obsessive, to his recent antics outside the ring which have seem him grow bigger than the sport itself but spiral out of control.
Learn about the awe-inspiring journey of one the greatest UFC fighter, Conor McGregor; his early life, amazing achievements and fun facts about him. This book will help you to become familiar with this amazing superstar and will no doubt motivate you too to work hard at your dreams.
The immense popularity of movies has its roots in the silent films of the early 1900s, this being especially true of the crime genre. This extensive guide features the entire history of the crime genre during the silent era, including more than 2,000 film entries, complete with names of directors, screenwriters, and major players, and offers a wealth of data supported by plot evaluations and occasional thematic commentaries. For the serious student of crime films, this work provides a comprehensive treatment of genre, but, most importantly, it revives an almost forgotten genre for generations of students and movie fans both old and new.
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