Diane Arbus

Diane Arbus

Diane Arbus was one of the greatest photographers of the last century. Her portraiture of freaks, circus performers, twins, nudists and others on the social margins connected with a wide public at a deep psychological level. Her suicide in New York in 1971 overshadowed the reception to her work. Her posthumous exhibition at the Museum of Modern Art a year later drew lines around the block. She was born into a Russian-Jewish family, the Nemerovs, who owned a department store on Fifth Avenue. They were family friends with the Avedons. Richard Avedon later championed Arbus’s work. Avedon rose to greater and greater commercial success through the magazine world. Arbus died in a rent-protected apartment scrambling to earn her keep with odd teaching assignments. Lubow’s biography begins at the moment Arbus quit the world of commercial photography to be an artist. She was uncompromising in that ambition. The book ends with her death. The entire narrative is a slow march towards that event.

Diane Arbus

Diane Arbus

When Diane Arbus died in 1971 at the age of forty-eight, she was already a significant influence--even something of a legend--among serious photographers, although only a relatively small number of her most important pictures were widely known at the time. The publication of Diane Arbus: An Aperture Monograph in 1972--along with the posthumous retrospective at the Museum of Modern Art--offered the general public its first encounter with the breadth and power of her achievements. The response was unprecedented. The monograph of eighty photographs was edited and designed by the painter Marvin Israel, Diane Arbus's friend and colleague, and by her daughter Doon Arbus. Their goal in making the book was to remain as faithful as possible to the standards by which Diane Arbus judged her own work and to the ways in which she hoped it would be seen. Universally acknowledged a classic, Diane Arbus: An Aperture Monograph is a timeless masterpiece with editions in five languages and remains the foundation of her international reputation. This anniversary edition celebrates one of the most important photographic books in history on the work of a single artist. Every image in this edition has been printed from new three-hundred-line-screen duotone film, bringing to the reproductions a clarity and brilliance unattainable until now. A quarter of a century has done nothing to diminish the riveting impact of these pictures or the controversy they inspire. Arbus's photographs penetrate the psyche with all the force of a personal encounter and, in doing so, transform the way we see the world and the people in it.

Diane Arbus

A Biography

Diane Arbus

“A spellbinding portrait” of the tumultuous life and artistic career of one of the most creative photographers of the 1960s (New York magazine). Diane Arbus became famous for her intimate and unconventional portraits of twins, dwarfs, sideshow performers, eccentrics, and everyday “freaks.” Condemned by some for voyeurism, praised by others for compassion, she was nonetheless a transformative figure in twentieth-century photography and hailed by all for her undeniable genius. Her life was cut short when she committed suicide in 1971 at the peak of her career. In the first complete biography of Arbus, author Patricia Bosworth traces the arc of Arbus’s remarkable life: her sheltered upper-class childhood and passionate, all-consuming marriage to Allan Arbus; her roles as wife and devoted mother; and her evolution from fashion photographer to critically acclaimed artist—one who forever altered the boundaries of photography.

Diane Arbus

A Chronology, 1923-1971

Diane Arbus

For more information, please contact Kellie McLaughlin T (212) 946-7130 E [email protected] Distributed by Thames & Hudson Ltd. c/o Littlehampton Book Services, Faraday Close, Durrington, Worthing, West Sussex BN13 3RB England Customer Service T +44 (0) 1903 828 501 E [email protected] Direct Order Desk T +44 (0) 1903 828 511 F +44 (0) 1903 828 801/02 E [email protected] Diane Arbus A Chronology Diane Arbus: A Chronology is the closest thing possible to reading a contemporaneous diary by one of the most daring, influential, and controversial artists of the twentieth century. Drawn primarily from Arbuss extensive correspondence with friends, family, and colleagues; personal notebooks; and other unpublished writings, this beautifully produced volume exposes the private thoughts and motivations of an artist whose astonishing vision derived from the courage to see things as they are and the grace to permit them simply to be. Further rounding out Arbuss life and work are exhaustively researched footnotes that amplify the entire Chronology. A section at the end of the book provides biographies for fifty-five personalities, family members, friends, and colleagues, from Marvin Israel and Lisette Model to Weegee and August Sander. Describing the Chronology in Art in America, Leo Rubinfien noted that Arbus . . . wrote as well as she photographed, and her letters, where she heard each nuance of her words, were gifts to the people who received them. Once one has been introduced to it, the beauty of her spirit permanently changes and deepens ones understanding of her pictures . . . The texts in Diane Arbus: A Chronology originally appeared in Diane Arbus Revelations. This volume makes this invaluable text available in an accessible, paperback volume for the very first time.

diane arbus

in the beginning

diane arbus

Diane Arbus (1923–1971) is one of the most distinctive and provocative artists of the twentieth century. Her photographs of children and eccentrics, couples and circus performers, female impersonators and nudists, are among the most recognizable images of our time. This book is the definitive study of the artist’s first seven years of work, from 1956 to 1962. Drawn primarily from the rich holdings of the Metropolitan Museum’s Diane Arbus Archive—a remarkable treasury of photographs, negatives, appointment books, notebooks, and correspondence—it is an essential contribution to our understanding of Arbus and her oeuvre. diane arbus: in the beginning showcases over 100 of the artist’s early photographs, more than half of which are published here for the first time. The book provides a crucial, in-depth presentation of the artist’s genesis, showing Arbus as she developed her evocative and often haunting imagery. The photographs featured in this handsome volume reveal an artist defining her style, honing her subject matter, and in full possession of the many gifts for which she is now recognized the world over.

Diane Arbus Magazine Work

Diane Arbus Magazine Work

Gathers a chronological selection of portraits Arbus produced on assignment for Esquire, Harper's Bazaar, the Sunday Times magazine of London, and other magazines.

Diane Arbus's 1960s

Auguries of Experience

Diane Arbus's 1960s

Monografie over het werk van de Amerikaanse fotografe (1923-1971) en hoe zich dit verhoudt tot andere kunstzinige en maatschappelijke ontwikkelingen in de zestiger jaren van de twintigste eeuw.

Edward Hopper & company

Edward Hopper & company

Introduction by Jeffrey Fraenkel. Essay by Robert Adams.

Blind Date with the Angel

The Diane Arbus Poems

Blind Date with the Angel

The Diane Arbus Poems is a poetic tribute to the life and work of the photographer Diane Arbus. In this sequence, Stephen Guppy crafts poems from the events of Arbus' life and gives voice to the subjects of her confrontational portraits. Using language that is often as visceral and stark as the photographer's famous images, Guppy invites the reader to explore the impact and implications of Arbus' work in particular and of the replication of the human image in general.

An Emergency in Slow Motion

The Inner Life of Diane Arbus

An Emergency in Slow Motion

Diane Arbus was one of the most brilliant and revered photographers in the history of American art. Her portraits, in stark black and white, seemed to reveal the psychological truths of their subjects. But after she committed suicide at the age of 48, the presumed chaos and darkness of her own inner life became, for many viewers, inextricable from her work. In the spirit of Janet Malcolm's classic examination of Sylvia Plath, The Silent Woman, William Todd Schultz's An Emergency in Slow Motion reveals the creative and personal struggles of Diane Arbus. Schultz, an expert in personality psychology, veers from traditional biography to look at Arbus's life through the prism of five central mysteries: her childhood, her outcast affinity, her sexuality, her time in therapy, and her suicide. He seeks not to give Arbus some definitive diagnosis, but to ponder some of the private motives behind her public works and acts. In this approach, Schultz not only goes deeper into her life than any previous writing, but provides a template to think about the creative life in general. Schultz's careful analysis is informed, in part, by the recent release of Arbus's writing by her estate, as well as interviews with Arbus's last therapist. An Emergency in Slow Motion combines new revelations and breathtaking insights into a must-read psychobiography about a monumental artist -- the first new look at Arbus in 25 years.